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The Great Routine!

by Briar Rabbit

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1.
Introduction 00:36
2.
Coon 03:33
Hello, How do you do? I am the coon (That's what they tell me) Still a boy, twenty-two years old So feel free to scold when I don't do what you want me to What'll it be? I'm here for your use Just ask the Coon I dreamed of the stage as a kid Though it isn't as bright as it was on my eyelids I'm convinced there's no job as fine as delivering lines and hearing folks laugh at em every time So I'll take the bright lights You keep the truth I'll be the Coon I will sing and dance for you I'm the Coon Could I dance without strings? And still make you laugh? And smile when I sing? Never seen the puppeteer's eyes But they're supposed to be kind and this life's so easy on the mind My people tell me I'm turning the screw They don't understand The world loves a Coon No, I'm not sposed to think but I suppose if I did I might find this all a bit cruel In a country of dreams, a man can't be a king Without somebody being his fool But I'm just foolin with you I'm just the Coon
3.
An actor in the mirror is darkening his face down to a character with burnt cork and a rag Laughs at his expense have always covered his expenses Well it's the only thing he knows and the best he'll ever have Bright lights, his name announced, a house full of excitement Once upon a time those were his dreams The worst is he understands it's all counterfeit He's the saddest man I know and the funniest they've ever seen Watch him stumble, dance and sing The audience laughs. It's so obscene His stuttering is all routine But his heart is just as broken as his speech He's waiting on his chaperone to take him to the bar of a theatre he's sold out for years He could buy one hundred rounds But it wouldn't take the edge off of the only dance that makes a whole crowd cheer For the minstrels final act He hangs himself from the rafters Silence falls, nobody laughs It was the blackest comedy they'd ever seen
4.
In My Head 03:20
In my head I was wasn't an actor In my head I was sincere and I could express my thoughts directly without the fear of what they'd think of me In my head, I wasn't a charmer Didn't fool her into lovin me Didn't even need to trick myself Into thinking this was something else to be happy I've got something inside pumping under my skin More than blood and it keeps me up at night When the world is asleep a perpetual dream That there is more to life In my head you looked right at me and I didn't need to look away Our fingers locked like piano keys Mine fit accidentally, yours were natural You found my wordiness attractive And shared the you no one would ever see and I was more than just a stand-in For the next unworthy bastard that you meet As the lights that only blind finally find their way to black I think to myself watching all the colored speck dance away There is so much more to me but this is all the world will see In my head it's the future and all of this makes sense to me
5.
I cut your rope down From the rafters Once everybody went home A different person Than they arrived At the ol' minstrel show Once they realized What had happened The main curtain was drawn But it was too late Everyone witnessed Damage that cant be undone You should have seen it! they couldn't believe it! You forced them to see a man take his life in his own hands Left em speechless they couldn't believe it.... There's no pride No satisfaction No lynching photographs Just your final image Guilt is seeping The masks are starting to crack The paper boys shouting "Read all about it! On a vaudville stage at night, a famous minstrel takes his life!" They're all reading but still can't believe it Described at your funeral as 3/5's of a man with 6/5's of a soul As you walk along the clouds and find what this is all about are you still angry? I heard, in heaven, all of your pain falls in drops of rain and it hasn't stopped for days Man you should have seen it They couldn't believe it

about

For Henry Gaffney and Bert Williams

Thank you: Devon Clarke Geyer, Nicki Singleton, The Bearded Hoofer, Lawrence Watson, Henry Gaffney, Anna Silverstein, Chanelle Johnson, Meredith Rabs, Jeanie Harrell, Adam hand, Annie Hoffman, Patrick DeWitte, Patrick Dinnen, Hannah Schefsky, Matt Margeson, Michael Mullowney, Steve Stone, Tyler Rehm, August Forte, Scales, Ashford, Ashlocks, and you.

credits

released February 2, 2011

Cover Art by Michael Mullowney (facebook.com/doblevay)
Engineered by Annie Hoffman and Adam Hand
Mixed by Patrick Dewitte
Mastered by Carl Saff

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Some rights reserved. Please refer to individual track pages for license info.

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about

Briar Rabbit Chicago, Illinois

A 2013 International Songwriting Competition winner & B.B. King's Nephew, Briar Rabbit believes pop music and intelligent lyrics are not mutually exclusive

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